Finalist for the 2010 National Book Award in Fiction Winner of the 2011 ABA Indies Choice Honor Award in Fiction Winner of the 2011 Anisfield-Wolf Award Shortlisted for the 2011 Orange Prize in Fiction A powerful, soaring novel about a stolen desk that contains the secrets, and becomes the obsession...
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Finalist for the 2010 National Book Award in Fiction Winner of the 2011 ABA Indies Choice Honor Award in Fiction Winner of the 2011 Anisfield-Wolf Award Shortlisted for the 2011 Orange Prize in Fiction A powerful, soaring novel about a stolen desk that contains the secrets, and becomes the obsession, of the lives it passes through. For twenty-five years, a reclusive American novelist has been writing at the desk she inherited from a young Chilean poet who disappeared at the hands of Pinochets secret police; one day a girl claiming to be the poets daughter arrives to take it away, sending the writers life reeling. Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his fathers study, plundered by the Nazis in Budapest in 1944. Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared. Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses How do we respond to disappearance, destruction, and change Nicole Krauss has written a soaring, powerful novel about memory struggling to create a meaningful permanence in the face of inevitable loss. This is a novel about the long journey of a magnificent desk as it travels through the twentieth century from one owner to the next. It is also a novel about love, exile, the defilements of war, and the restorative power of language. National Book Award citationfrom via
Amazon Best Books of the Month, October 2010: In each of the short stories that nest like rooms in Nicole Krausss Great House looms a tremendous desk. It may have belonged to Federico Garca Lorca, the great poet and dramatist who was one of thousands executed by Fascists in 1936, when the Spanish Civil War began. We know that the desk stood in Weiszs fathers study in Budapest on a night in 1944, when the first stone shattered their window. After the war, Weisz hunts furniture looted from Jewish homes by the Nazis. He scours the world for the fragments to reassemble that studys every element, but the desk eludes him, and he and his children live at the edges of its absence. Meanwhile, it spends a few decades in an attic in England, where a woman exhumes the memories she cant speak except through violent stories. She gives the desk to the young Chilean-Jewish poet Daniel Varsky, who takes it to New York and passes it on (before he returns to Chile and disappears under Pinochet) to Nadia, who writes seven novels on it before Varskys daughter calls to claim it. Crossing decades and continents, the stories of Great House narrate feeling more than fact. Krausss characters inhabit a state of perpetual regret and longing for a place we only know existed because we remember a keyhole, a tile, the way the threshold was worn under an open door, and a desk whose multitude of drawers becomes a mausoleum of memory. --Mari Malcolm